Cinq mélodies, op 35 bis. For flute & piano

Par : Serge Prokofieff, Kyle MacLeod
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  • FournisseurURTEXT
  • EAN9781784547448
  • Réf. fournisseurBH 13943
  • Dimensions23,1 cm × 30,3 cm × 0,0 cm
  • Poids0.154 kg
  • Nb. de pages36

Résumé

Kyle MacLeod writes : "When attending a colleague's violin recital, the moment she began playing the ? rst movement of the Cinq mélodies I fell in love with it. I could hear that it would sit extremely well on the ? ute and I realised there was only a single work by Proko ? eff in the ? ute repertoire, Sonata no 2 in D Major op 94. This is also available for violin and piano, rearranged by the composer himself a year after the original publication. Just like the Sonata, we could now have the Cinq mélodies for ? ute or violin with piano accompaniment, providing more Russian music for ? autists to enjoy. My adaptation stays true to the violin arrangement which Proko ? eff himself based on his original version for voice and piano. Harmonic ? ngerings have been added to the ? ute part to create rich harmonic effects similar to those produced in the violin part, and double stops have been adapted to monophonic passages as befits the ? ute". Instrumentation : flute and piano op. 35bis
Kyle MacLeod writes : "When attending a colleague's violin recital, the moment she began playing the ? rst movement of the Cinq mélodies I fell in love with it. I could hear that it would sit extremely well on the ? ute and I realised there was only a single work by Proko ? eff in the ? ute repertoire, Sonata no 2 in D Major op 94. This is also available for violin and piano, rearranged by the composer himself a year after the original publication. Just like the Sonata, we could now have the Cinq mélodies for ? ute or violin with piano accompaniment, providing more Russian music for ? autists to enjoy. My adaptation stays true to the violin arrangement which Proko ? eff himself based on his original version for voice and piano. Harmonic ? ngerings have been added to the ? ute part to create rich harmonic effects similar to those produced in the violin part, and double stops have been adapted to monophonic passages as befits the ? ute". Instrumentation : flute and piano op. 35bis