R. Chandler - The Big Sleep
1e édition
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- Nombre de pages112
- PrésentationBroché
- Poids0.176 kg
- Dimensions15,0 cm × 23,0 cm × 0,9 cm
- ISBN2-86460-255-5
- EAN9782864602552
- Date de parution01/10/1995
- CollectionCNED CONCOURS
- ÉditeurKLINCKSIECK
Résumé
The Big Sleep was published in 1939 and was immediately labelled as hard-boiled . The New Yorker described it as a terrifying story of degeneracy in Southern California by an author who almost makes Dashiell Hammett seem as innocuous as Winnie-the-Pooh . Chandler, much more than any other detective story-writer in America, has established a tradition of which leading contemporary writers like James Ellroy could be regarded as the inheritors.
As W. H. Auden wrote : Chandler is interested in writing, not detective stories, but serious studies of a criminal milieu, the Great Wrong Place, and his powerful but extremely depressing books should be read and judged, not as escape literature, but as works of art .
As W. H. Auden wrote : Chandler is interested in writing, not detective stories, but serious studies of a criminal milieu, the Great Wrong Place, and his powerful but extremely depressing books should be read and judged, not as escape literature, but as works of art .
The Big Sleep was published in 1939 and was immediately labelled as hard-boiled . The New Yorker described it as a terrifying story of degeneracy in Southern California by an author who almost makes Dashiell Hammett seem as innocuous as Winnie-the-Pooh . Chandler, much more than any other detective story-writer in America, has established a tradition of which leading contemporary writers like James Ellroy could be regarded as the inheritors.
As W. H. Auden wrote : Chandler is interested in writing, not detective stories, but serious studies of a criminal milieu, the Great Wrong Place, and his powerful but extremely depressing books should be read and judged, not as escape literature, but as works of art .
As W. H. Auden wrote : Chandler is interested in writing, not detective stories, but serious studies of a criminal milieu, the Great Wrong Place, and his powerful but extremely depressing books should be read and judged, not as escape literature, but as works of art .
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