David Lodge, né le 28 janvier 1935 à Londres, homme de lettres britannique, est désormais mondialement connu ; ses ouvrages sont traduits dans une dizaine de langues. Après des études de lettres, il enseigne la littérature à partir de 1960, tout en préparant sa thèse et en commençant à rédiger des uvres de fiction. Le succès venant, il décide de quitter l'enseignement en 1987 pour se consacrer uniquement à l'écriture. Cette expérience lui inspire "Jeux de société" (1988) publié chez Rivages en 1990. Par ailleurs, il permet au grand public d'accéder à ses travaux théoriques, en donnant dès 1991 au journal "The Independant", des articles sur le roman ou la poésie ; ces rubriques seront publiées en 1992 dans "The art of fiction" et éditées en France en 2009 chez Rivages, son éditeur pour les traductions en langue française. On peut trouver en catalogue notamment : "Nouvelles du paradis" (1991), "Jeux de mots" (1993), "Pensées secrètes" (2002), "La vie en sourdine" (2008) ou "Un homme de tempérament" (2012).
Author, Author
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- Nombre de pages390
- PrésentationBroché
- Poids0.59 kg
- Dimensions15,0 cm × 23,0 cm × 2,8 cm
- ISBN0-436-20543-2
- EAN9780436205439
- Date de parution17/08/2004
- ÉditeurSecker & Warburg
Résumé
In David Lodge's last novel, Thinks... the novelist Henry James was invisibly present in quotation and allusion. In Author, Author he is centre stage, sometimes literally. The story begins in December 1915, with the dying James surrounded by his relatives and servants, most of whom have private anxieties of their own, then loops back to the 1880s, to chart the course of Henrys 'middle years', focusing particularly on his friendship with the genial Punch artist and illustrator, George Du Maurier, and his intimate but chaste relationship with the American writer Constance Fenimore Woolson. By the end of the decade Henry is seriously worried by the failure of his books to 'sell', and decides to try and achieve fame and fortune as a playwright, at the same time that George Du Maurier, whose sight is failing, diversifies into writing novels. The consequences, for both men, are surprising, ironic, comic and tragic by turns, reaching a climax in the years 1894-5. As Du Maurier's Trilby, to the bewilderment of its author himself, becomes the bestseller of the century, Henry anxiously awaits the first night of his make-or-break play, Guy Domville... Thronged with vividly drawn characters, some of them with famous names, others recovered from obscurity, Author, Author presents a fascinating panorama of literary and theatrical life in late Victorian England, which in many ways foreshadowed today's cultural mix of art, commerce and publicity. But it is essentially a novel about authorship - about the obsessions, hopes, dreams, triumphs and disappointments of those who live by the pen - with, at its centre, an exquisite characterisation of one writer, rendered with remarkable empathy.
In David Lodge's last novel, Thinks... the novelist Henry James was invisibly present in quotation and allusion. In Author, Author he is centre stage, sometimes literally. The story begins in December 1915, with the dying James surrounded by his relatives and servants, most of whom have private anxieties of their own, then loops back to the 1880s, to chart the course of Henrys 'middle years', focusing particularly on his friendship with the genial Punch artist and illustrator, George Du Maurier, and his intimate but chaste relationship with the American writer Constance Fenimore Woolson. By the end of the decade Henry is seriously worried by the failure of his books to 'sell', and decides to try and achieve fame and fortune as a playwright, at the same time that George Du Maurier, whose sight is failing, diversifies into writing novels. The consequences, for both men, are surprising, ironic, comic and tragic by turns, reaching a climax in the years 1894-5. As Du Maurier's Trilby, to the bewilderment of its author himself, becomes the bestseller of the century, Henry anxiously awaits the first night of his make-or-break play, Guy Domville... Thronged with vividly drawn characters, some of them with famous names, others recovered from obscurity, Author, Author presents a fascinating panorama of literary and theatrical life in late Victorian England, which in many ways foreshadowed today's cultural mix of art, commerce and publicity. But it is essentially a novel about authorship - about the obsessions, hopes, dreams, triumphs and disappointments of those who live by the pen - with, at its centre, an exquisite characterisation of one writer, rendered with remarkable empathy.