Venice and the Ottoman Empire. A Tale of Art, Culture, and Exchange
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- Livraison à domicile ou en point Mondial Relay dès le 29 juillet
- PrésentationRelié
- FormatGrand Format
- ISBN978-0-8478-3879-0
- EAN9780847838790
- Date de parution10/09/2024
- ÉditeurRizzoli International
Résumé
Accompanying a major traveling exhibition to the North Carolina Museum of Art in Raleigh. NC ; Telfair Museums in Savannah, GA ; and the First Art Museum in Nashville, this book examines the unique artistic end cultural exchange between the Republic of Venice and Turkish Ottoman culture and identity over three centuries. From the early Renaissance to the end of the eighteenth century. Venice held a central position in the global trade network, acting as a gateway for the exchange of goods.
ideas, and artistic influences between East and West. This book explores how Ottoman artistic and cultural elements were absorbed and reinterpreted In Venetian art, from the decorative arts to printed books, painting, ceramics and metalwork. This period saw the rise of a wealthy mercantile class that embraced and popularized Islamic arty derived patterns on a large scale, influencing local craftsmanship and leading to the production of Imitation works.
Featuring e diverse selection from the collections of the Musei Civici di Venezia, this volume showcases the creative contributions of well-known artists such as Vittore Carpaccio, Gentile Bellini, Michele Giembono, and Mariano Fortuny, a Venice-adopted Spaniard, alongside works created by the best anonymous artisans both in Venice and the Ottoman Empire. Including textiles, metalwork, armor, and ceramics.
Enriched by newly researched essays from esteemed International scholars, this significant volume offers fresh perspectives on the intricate relationship between Venice and the Ottoman Empire, shedding light on the republic and the imperial realm's diplomatic strategies, intelligence efforts, and the pivotal role of dragomans (diplomatic translators). Notable figures like Francesco Morosini are highlighted, showcasing the dual nature of Venetian-Ottoman relations, marked by both conflict and mutual respect.
The legacy of their relationship extends Into shared culinary traditions and the early twentieth-century textile and fashion revival by Mariano Fortuny. Additional essays delve into topics such as trade routes, shared economicst interests, fashion, and the Venetian printing press's impact on public perceptions of the Ottoman Empire. Remarkable among these is the riveting account of the Gnalio shipwreck, which unveils the Intricacies of sixteenth-century trade between Venice and Constantinople.
Enhanced by extensive color plates, detailed illustrations, and a selection of Venetian and Ottoman culinary recipes, this comprehensive volume offers nuanced exploration of the dynamic exchange between two influential powers, illuminating their enduring legacy on global art and culture.
ideas, and artistic influences between East and West. This book explores how Ottoman artistic and cultural elements were absorbed and reinterpreted In Venetian art, from the decorative arts to printed books, painting, ceramics and metalwork. This period saw the rise of a wealthy mercantile class that embraced and popularized Islamic arty derived patterns on a large scale, influencing local craftsmanship and leading to the production of Imitation works.
Featuring e diverse selection from the collections of the Musei Civici di Venezia, this volume showcases the creative contributions of well-known artists such as Vittore Carpaccio, Gentile Bellini, Michele Giembono, and Mariano Fortuny, a Venice-adopted Spaniard, alongside works created by the best anonymous artisans both in Venice and the Ottoman Empire. Including textiles, metalwork, armor, and ceramics.
Enriched by newly researched essays from esteemed International scholars, this significant volume offers fresh perspectives on the intricate relationship between Venice and the Ottoman Empire, shedding light on the republic and the imperial realm's diplomatic strategies, intelligence efforts, and the pivotal role of dragomans (diplomatic translators). Notable figures like Francesco Morosini are highlighted, showcasing the dual nature of Venetian-Ottoman relations, marked by both conflict and mutual respect.
The legacy of their relationship extends Into shared culinary traditions and the early twentieth-century textile and fashion revival by Mariano Fortuny. Additional essays delve into topics such as trade routes, shared economicst interests, fashion, and the Venetian printing press's impact on public perceptions of the Ottoman Empire. Remarkable among these is the riveting account of the Gnalio shipwreck, which unveils the Intricacies of sixteenth-century trade between Venice and Constantinople.
Enhanced by extensive color plates, detailed illustrations, and a selection of Venetian and Ottoman culinary recipes, this comprehensive volume offers nuanced exploration of the dynamic exchange between two influential powers, illuminating their enduring legacy on global art and culture.
Accompanying a major traveling exhibition to the North Carolina Museum of Art in Raleigh. NC ; Telfair Museums in Savannah, GA ; and the First Art Museum in Nashville, this book examines the unique artistic end cultural exchange between the Republic of Venice and Turkish Ottoman culture and identity over three centuries. From the early Renaissance to the end of the eighteenth century. Venice held a central position in the global trade network, acting as a gateway for the exchange of goods.
ideas, and artistic influences between East and West. This book explores how Ottoman artistic and cultural elements were absorbed and reinterpreted In Venetian art, from the decorative arts to printed books, painting, ceramics and metalwork. This period saw the rise of a wealthy mercantile class that embraced and popularized Islamic arty derived patterns on a large scale, influencing local craftsmanship and leading to the production of Imitation works.
Featuring e diverse selection from the collections of the Musei Civici di Venezia, this volume showcases the creative contributions of well-known artists such as Vittore Carpaccio, Gentile Bellini, Michele Giembono, and Mariano Fortuny, a Venice-adopted Spaniard, alongside works created by the best anonymous artisans both in Venice and the Ottoman Empire. Including textiles, metalwork, armor, and ceramics.
Enriched by newly researched essays from esteemed International scholars, this significant volume offers fresh perspectives on the intricate relationship between Venice and the Ottoman Empire, shedding light on the republic and the imperial realm's diplomatic strategies, intelligence efforts, and the pivotal role of dragomans (diplomatic translators). Notable figures like Francesco Morosini are highlighted, showcasing the dual nature of Venetian-Ottoman relations, marked by both conflict and mutual respect.
The legacy of their relationship extends Into shared culinary traditions and the early twentieth-century textile and fashion revival by Mariano Fortuny. Additional essays delve into topics such as trade routes, shared economicst interests, fashion, and the Venetian printing press's impact on public perceptions of the Ottoman Empire. Remarkable among these is the riveting account of the Gnalio shipwreck, which unveils the Intricacies of sixteenth-century trade between Venice and Constantinople.
Enhanced by extensive color plates, detailed illustrations, and a selection of Venetian and Ottoman culinary recipes, this comprehensive volume offers nuanced exploration of the dynamic exchange between two influential powers, illuminating their enduring legacy on global art and culture.
ideas, and artistic influences between East and West. This book explores how Ottoman artistic and cultural elements were absorbed and reinterpreted In Venetian art, from the decorative arts to printed books, painting, ceramics and metalwork. This period saw the rise of a wealthy mercantile class that embraced and popularized Islamic arty derived patterns on a large scale, influencing local craftsmanship and leading to the production of Imitation works.
Featuring e diverse selection from the collections of the Musei Civici di Venezia, this volume showcases the creative contributions of well-known artists such as Vittore Carpaccio, Gentile Bellini, Michele Giembono, and Mariano Fortuny, a Venice-adopted Spaniard, alongside works created by the best anonymous artisans both in Venice and the Ottoman Empire. Including textiles, metalwork, armor, and ceramics.
Enriched by newly researched essays from esteemed International scholars, this significant volume offers fresh perspectives on the intricate relationship between Venice and the Ottoman Empire, shedding light on the republic and the imperial realm's diplomatic strategies, intelligence efforts, and the pivotal role of dragomans (diplomatic translators). Notable figures like Francesco Morosini are highlighted, showcasing the dual nature of Venetian-Ottoman relations, marked by both conflict and mutual respect.
The legacy of their relationship extends Into shared culinary traditions and the early twentieth-century textile and fashion revival by Mariano Fortuny. Additional essays delve into topics such as trade routes, shared economicst interests, fashion, and the Venetian printing press's impact on public perceptions of the Ottoman Empire. Remarkable among these is the riveting account of the Gnalio shipwreck, which unveils the Intricacies of sixteenth-century trade between Venice and Constantinople.
Enhanced by extensive color plates, detailed illustrations, and a selection of Venetian and Ottoman culinary recipes, this comprehensive volume offers nuanced exploration of the dynamic exchange between two influential powers, illuminating their enduring legacy on global art and culture.