Harold Pinter. Stages, Networks, Collaborations
Par : ,
Formats :
- Paiement en ligne :
- Livraison à domicile ou en point Mondial Relay estimée à partir du 4 novembreCet article sera commandé chez un fournisseur et sera expédié 6 à 12 jours après la date de votre commande.
- Retrait Click and Collect en magasin gratuit
- Livraison à domicile ou en point Mondial Relay estimée à partir du 4 novembre
- Réservation en ligne avec paiement en magasin :
- Indisponible pour réserver et payer en magasin
- Nombre de pages226
- PrésentationBroché
- FormatGrand Format
- Poids0.3 kg
- Dimensions14,0 cm × 21,5 cm × 1,2 cm
- ISBN978-1-350-21194-0
- EAN9781350211940
- Date de parution25/08/2022
- CollectionMethuen Drama Engage
- ÉditeurMethuen Drama
Résumé
Combining reconsiderations of key Pinter scholarship with new contexts, voices and theoretical approaches, this book opens up fresh insights into the author's work, politics, collaborations and his enduring status as one of the world's foremost dramatists. Three sections re-contextu alize Pinter as a cultural figure ; explore and interrogate his influence on ontemporary British playwriting ; and offer a serles of original interviews with theatre-makers engaging n the staging of Pinter's work today.
Reconsiderations of Pinter's relationship to movements such as Modernism and the Theatre of the Absurd and interrogations of the role of class and cultural identity sit alongside chapters on Pinter's politics and impact on various theatrical institutions, practices and playwrights.
Reconsiderations of Pinter's relationship to movements such as Modernism and the Theatre of the Absurd and interrogations of the role of class and cultural identity sit alongside chapters on Pinter's politics and impact on various theatrical institutions, practices and playwrights.
Combining reconsiderations of key Pinter scholarship with new contexts, voices and theoretical approaches, this book opens up fresh insights into the author's work, politics, collaborations and his enduring status as one of the world's foremost dramatists. Three sections re-contextu alize Pinter as a cultural figure ; explore and interrogate his influence on ontemporary British playwriting ; and offer a serles of original interviews with theatre-makers engaging n the staging of Pinter's work today.
Reconsiderations of Pinter's relationship to movements such as Modernism and the Theatre of the Absurd and interrogations of the role of class and cultural identity sit alongside chapters on Pinter's politics and impact on various theatrical institutions, practices and playwrights.
Reconsiderations of Pinter's relationship to movements such as Modernism and the Theatre of the Absurd and interrogations of the role of class and cultural identity sit alongside chapters on Pinter's politics and impact on various theatrical institutions, practices and playwrights.